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An etude using different triad based techniques to break away from drop chords and to move towards pianist harmony in the style of Bill Evans, Herbie Hancock, Keith Jarrett, and Brad Mehldau on the guitar.… More…
An idea for comping over a minMaj9 chord mixing dyads with moving voices and a bass line... derived from triad pairs based on melodic triads.… More…
This dyad line is very dense and probably better to use during a solo then for creating harmony as a comping instrument as you run the risk of getting in the soloists way. But I suppose in the right situation… More…
Playing a rootless voicing for 13b9 (a dominant chord with the 13 and the b9 added) through the circle of 5ths. The voicing is derived from the Melodic Triad approach - using an F# triad over an A7 chord.… More…
Recorded this duo while hanging and playing some tunes with Peter Bernstein - one of my all time favorite guitar players. … More…
This is an etude I wrote over All The Things You Are to put together multiple aspects of the 'melodic triads' approach into a real world comping application. The goal is to get farther away from the drop… More…
Jazz Blues is always such a crowd pleaser. This is a snippet of my track Formless. If you would like to learn the full thing check out my brand new course Advanced Acoustic Mastery. More…
This is a guitar lick making use of legato technique, polyrhythm ideas, and the dorian flat 2 scale! I think it's fun to learn and play. Watch till the end for an extra bonus lick. For any style - rock,… More…
This lick is taken from my recent cover of "Freedom Jazz Dance" by Alain Caron. The lick features the Dorian b9 scale over m7 chord - Kind of a dorian-phrygian sound I think. Also try out the polyrhythm… More…
DOC → http://bit.ly/Accords_7_SGBrown_DOC… More…
DOC → http://bit.ly/Gammes_avec_loop_sur_Solar_DOC… More…
Guthrie Trapp and Josh Smith at a clinic in Tulsa. Guthrie is showing some major seven over sus chord ideas. This can be thought of as mixolydian mode or 5 minor over the 1 dominant 7. "Hillbilly Jazz"… More…
Philly Joe is one of the greatest contributors to the jazz drumming language. His musical approach to soloing, and rudimental background create a very distinctive sound that he brought to many different… More…
Preview of "Exercise 3" from my education book "Jazz Studies - Your Way into Jazz!"… More…
Although I have come to appreciate jazz very much, a significant part of my personal style still comes from years of blues playing with bends and vibrato, and other fun that I need to use to express myself.… More…
On April 15 2020, Jazz innovator Lee Konitz has died of Covid-19 at age 92!… More…
PDF tab → https://bit.ly/Accompagner_sur_Black_Orpheus_PDF… More…
I transcribed this solo in an effort to build my Jazz vocabulary. Learning Sonny Rollins' lines also turned out to be a great study on super imposing arpeggios over ii Vs. More…
I have authored over 80 music educational books that are sold worldwide. My music educational publishing co. A.D.G. Productions http://www.adgproductions.com has been in business since 1991 and have published… More…
One of the very first solos I ever learned. … More…
This is a track from my 2nd solo album Open Window. Bahía De La Habana (Havana Bay) was written on Havana Bay. The rhythm is called Bembé which is a rhythm used in Santería celebrations in Cuba. This tune… More…
Oz Noy has been putting up some great posts on instagram. So much to learn from him but I especially love how he manages to mix in blues and jazz as well as the more outside lines More…
Transcripción de los 2 primeros coros del solo de Biréli Lagrène en el tema Hungaria. … More…
"Stanky" = Kiosks on Shopping Market is a well-known Czech folk song… More…
My favorite jazz technique exercise More…
Final etude from my improvisation book "Jazz Vocabulary" … More…
Fifth etude from my improvisation book "Jazz Vocabulary" … More…
Second etude from my improvisation book "Jazz Vocabulary" … More…
Fourth etude from my improvisation book "Jazz Vocabulary" … More…