Introducing our player’s new Solo button.

New releases include a free collection of etudes for saxophonists learning jazz vocabulary, a piece for harp guitar, and a virtuosic fingerstyle composition by Antoine Boyer.

We’ve improved our notation editor to make it much easier to enter lyrics. And we’ve improved chord entry too.

A follow up to our first story on distance learning.

We’ve made several improvements to our notation editor this week, most notably a redesigned “live editing” view. Here’s an overview.

Two new instructional guitar courses made by musicians from the Soundslice community.

We’ve redesigned our notation editor! It’s even more powerful, more beautiful and easier to use than before. We think you’re going to love it.

We’ve been impressed by teacher’s creativity and resourcefulness. Here are three short case studies.

New slices by musicians playing through their hard-earned transcriptions.

We’ve begun work this week to translate much more of our site into languages other than English. Can you help?

We break down the concepts behind an Andy Wood solo with the man himself. If you’re a guitarist interested in country, chicken pickin’ or bluegrass, this is a must see.

This new feature, now available for Teacher plan customers, lets your students upload performance audio/video so you can provide feedback.

We’ve added the ability to create two-bar repeats (similes), and you can now copy and paste across voices.

Our collection of April Fool’s Day slices.

For those of you creating slices: We’ve improved “beat text” and “expression text” so that you can toggle the font, font size and italics.

Using Soundslice for music that has fingerings? Now you can quickly hide the fingerings if you don’t want to see them — and toggle them back on at any point.

This week Mark Lettieri, Chris Payton, Antoine Boyer, Kaspar Jalily, Horace Bray, Landon Jordan and Michael Valeanu joined us for a Soundslice “talent show” via Instagram Live. (We need something to do with all this indoor time!)

Five licks from Shawn to break you out of your blues-playing rut.

We’ve made some big improvements to the way sheet music is displayed on Soundslice. Music across our site should be easier to read and use space more efficiently.

Our first “Featured transcriber” interview with a pianist.

Here’s a powerful new feature for those of you creating slices: a way for you to tell Soundslice that a specific bar in your slice starts a new musical idea.

Here’s a roundup of some small improvements we’ve made recently.

Quick licks from a Norwegian blues guitar phenom.

We’ve improved the way slides are displayed, and we’ve added a new type of slide in our editor.

We’ve added a handy way to browse all the slices people are posting to their Soundslice channels: You can now browse by genre.

A discussion with one of the Soundslice team’s favorite transcribers.

We’ve simplified the way multiple voices work in our notation editor.

Three quick passages from Anomalie’s newest sheet music release.

Short transcriptions from the three finalists.

You can finally add and remove hairpins — aka crescendo or decrescendo markings — in the Soundslice notation editor.